![]() Copland composed the jazzy piece partly while staying in Rio de Janeiro, as a commission for clarinetist Benny Goodman. The Copland clarinet concerto, meanwhile, stands out as one of the most complicated pieces for clarinet and orchestra. It’s more like chamber music you really have to do it by listening and adjusting in the moment.” Musicians usually love it, he said, because there isn’t “a stick waving in their face. ![]() “It’s lively and beautiful, and uses influences from all kinds of Puerto Rican rhythms including a movement based on salsa rhythms.”įigueroa will lead the orchestra on his violin in a seat with the other musicians instead of standing on a podium. “It’s very descriptive of certain aspects of the island,” Figueroa said, speaking of Puerto Rico. It is called “Insula Tropical,” which earned Cordero’s blessing and premiered in 2009. ![]() When Figueroa visits the Sarasota Orchestra to conduct the next Discoveries series concert, he will lead a piece that includes movements from both Cordero works. Figueroa has conducted and played many of his pieces, including “Concertino Tropical” in 1998 and the world premiere of Cordero’s “Insula” in 2007. Puerto Rican guitarist and composer Ernesto Cordero has been friends with Guillermo Figueroa for many years.
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